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THE TEMPEST – Act One – Scene One

THE TEMPEST – Act One – Scene One

 

William Shakespeare

 

 

 

MASTER – Master of the Ship

 

BOATSWAIN – Servant of the Ship’s Master

 

ALONSO – King of Naples

 

ANTONIO – The King’s Brother

 

SEBASTIAN – The King’s Brother

 

GONZALO – The King’s Counsellor

 

 

 

On a ship at sea: a tempestuous noise of thunder and lightning heard.

 

Enter a Master and a Boatswain.

 

 

 

MASTER

 

Boatswain!

 

BOATSWAIN

 

Here, master: what cheer?

 

MASTER

 

Good, speak to the mariners: fall to’t, yarely[1],

or we run ourselves aground: bestir, bestir.

 

Exit.

 

Enter Mariners[2].

 

BOATSWAIN

 

Heigh, my hearts! cheerly, cheerly, my hearts!

Yare, yare! Take in the topsail. Tend to the

master’s whistle. Blow, till thou burst thy wind,

if room enough!

 

Enter ALONSO, SEBASTIAN, ANTONIO, FERDINAND, GONZALO, and others.

 

ALONSO

 

Good boatswain, have care. Where’s the master?

Play the men.

 

BOATSWAIN

 

I pray now, keep below.

 

ANTONIO

 

Where is the master, boatswain?

 

BOATSWAIN

 

Do you not hear him? You mar our labour: keep your

cabins: you doassist the storm.

 

GONZALO

 

Nay, good, be patient.

 

BOATSWAIN

 

When the sea is. Hence! What cares these roarers

for the name of king? To cabin: silence! Trouble us not.

 

GONZALO

 

Good, yet remember whom thou hast aboard.

 

BOATSWAIN

 

None that I more love than myself. You are a

 

counsellor; if you can command these elements to

 

silence, and work the peace of the present, we will

 

not hand a rope more; the if you

 

cannot, give thanks you have lived so long, and make

 

yourself ready in your cabin for the mischance of

 

the hour, if it so hap. Cheerly, good hearts! Out

 

of our way, I say.

 

Exit.

 

GONZALO

 

I have great comfort from this fellow: methinks he

hath no drowning mark upon him; his complexion is

perfect gallows. Stand fast, good Fate, to his

hanging: make the rope of his destiny our cable,

for our own doth little advantage. If he be not

born to be hanged, our case is miserable.

 

Exit.

 

Re-enter Boatswain.

 

BOATSWAIN

 

Down with the topmast! Yare! Lower, lower! Bring

her to try with main-course.

 

A cry within.

 

A plague upon this howling! They are louder than

the weather or our office.

 

Re-enter SEBASTIAN, ANTONIO, and GONZALO.

 

Yet again! what do you here? Shall we give o’er

and drown? Have you a mind to sink?

 

SEBASTIAN

 

A pox o’ your throat, you bawling, blasphemous,

incharitable dog!

 

BOATSWAIN

 

Work you then.

 

ANTONIO

 

Hang, cur! Hang, you whoreson, insolent noisemaker!

We are less afraid to be drowned than thou art.

 

GONZALO

 

I’ll warrant him for drowning; though the ship were

no stronger than a nutshell and as leaky as an

unstanched wench.

 

BOATSWAIN

 

Lay her a-hold, a-hold! Set her two courses off to

sea again; lay her off.

 

Enter Mariners, wet.

 

MARINERS

 

All lost! To prayers, to prayers! All lost!

 

BOATSWAIN

 

What, must our mouths be cold?

 

GONZALO

 

The king and prince at prayers! Let’s assist them,

For our case is as theirs.

 

SEBASTIAN

 

I’m out of patience.

 

ANTONIO

 

We are merely cheated of our lives by drunkards:

This wide-chapp’d rascal–would thou mightst lie drowning

The washing of ten tides!

 

GONZALO

 

He’ll be hang’d yet,

Though every drop of water swear against it

And gape at widest to glut him.

 

A confused noise within: ‘Mercy on us!’– ‘We split, we split!’–‘Farewell, my wife and children!’– ‘Farewell, brother!’–‘We split, we split, we split!’

 

ANTONIO

 

Let’s all sink with the king.

 

SEBASTIAN

 

Let’s take leave of him.

 

Exit ANTONIO and SEBASTIAN.

 

GONZALO

 

Now would I give a thousand furlongs of sea for an

acre of barren ground, long heath, brown furze, any

thing. The wills above be done! But I would fain

die a dry death.

 

Exit.

 

 

 

 

 

The Boatswain’s command that the Mariners “Blow, till thou burst thy wind” is meant to emphasize that their situation is

 

Select one:

 

 

 

a.

 

senseless

 

 

 

b.

 

gloomy

 

 

 

c.

 

loud

 

 

 

d.

 

dire

 

Clear my choice

 

 

 

 

 

The Boatswain suggests that he values his life more than he respects authority MOST CLEARLY in the line

 

Select one:

 

 

 

a.

 

“They are louder than the weather or our office.”

 

 

 

b.

 

“if you cannot, give thanks you have lived so long”

 

 

 

c.

 

“None that I more love than myself.”

 

 

 

d.

 

“What cares these roarers for the name of king?”

 

 

 

Gonzalo suggests that the Boatswain’s attitude will cause him to die by

 

Select one:

 

 

 

a.

 

fighting

 

 

 

b.

 

aging

 

 

 

c.

 

drowning

 

 

 

d.

 

hanging

 

In the line “They are louder than the weather or our office”, the Boatswain compares the noise of the storm to the

 

Select one:

 

 

 

a.

 

sails

 

 

 

b.

 

yelling

 

 

 

c.

 

whistling

 

 

 

d.

 

orders

 

The King’s attendants react to the Boatswain’s orders with

 

Select one:

 

 

 

a.

 

arrogance

 

 

 

b.

 

distrust

 

 

 

c.

 

indifference

 

 

 

d.

 

regard

 

The Boatswain figuratively expresses his realization of doom in the line

 

Select one:

 

 

 

a.

 

“Have you a mind to sink?”

 

 

 

b.

 

“Lay her a-hold, a-hold!”

 

 

 

c.

 

“A plague upon this howling!”

 

 

 

d.

 

“What, must our mouths be cold?”

 

Clear my choice

 

Gonzalo’s final lines convey his desire to

 

Select one:

 

 

 

a.

 

reach land

 

 

 

b.

 

die peacefully

 

 

 

c.

 

stop the storm

 

 

 

d.

 

control the sea

 

A synonym for FAIN in the line “But I would fain die a dry death” is

 

Select one:

 

 

 

a.

 

rather

 

 

 

b.

 

never

 

 

 

c.

 

fight

 

 

 

d.

 

forgive

 

Gonzalo’s final lines are an example of

 

Select one:

 

 

 

a.

 

a soliloquy

 

 

 

b.

 

a prologue

 

 

 

c.

 

an epilogue

 

 

 

d.

 

an aside

 

The stage directions – characters leaving and reentering, and voices yelling from off-stage – add to the scene’s feeling of

 

Select one:

 

 

 

a.

 

chaos

 

 

 

b.

 

suspense

 

 

 

c.

 

hopelssness

 

 

 

d.

 

animosity

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